‘It’s deeply upsetting to be described as evil’
Ian Brady and Myra Hindley, the celebrity serial killers, murdered five children around Manchester in the 1960s. They have been defined by their trial judge as ‘ two sadistic killers of the utmost depravity’. Their crimes that we are to see here are those of the sadistic psychopaths.
Myra Hindley met Brady on her first day of work as a typist and she said that she fell in “love at first sight”. His lover, fascinated with the Nazis and World War II, introduced her to Hitler’s marching songs, Mein Kampf, Dostoyevsky’s Crime and Punishment. Brady used to read Marquis de Sade (1740 -1814) who was a French erotic writer and prose stylist, from whose name the words “sadism” and “sadist” are derived. They, later, went on to seek “supreme pleasure” and with this started a journey to commit a ‘perfect murder’.
Their first victim was a 16-year-old Pauline Reade who was murdered on her way to dance. She was lured into a minivan by Myra and after some time she asked Pauline’s to help her look for a lost glove. Brady pounced upon Pauline and raped her, smashed her skull and slashed her throat so violently that she was almost decapitated. Their next victim was a 12-year-old John Kilbridethat have been strangled and raped before being buried in a shallow grave. The couple went on and enticed 12-year-old Keath Bennett from a street on the context of driving him home. He had been sexually assaulted before getting strangled with a piece of string. His body, unfortunately, has never been found.
Their youngest victim Lesley Ann Downey met the same brutal fate.
They even recorded Lesley Ann Downey begging for life. The 16-minute recording was played in a silent courtroom in which the girl pleaded “don’t undress me” and “ I want to see mummy”. This ten-year-old girl had been raped and killed and buried naked with her clothes at her feet.
Fifth and their final victim was 17 years old Edward Evans who was brought at home where their brother in law David was visiting them. They smashed Edward’s head with an ax and took him to upstairs. David fled and contacted the police.
[Brady] opened the door and he said in a very loud voice for him …”Do you want those miniatures?” I nodded my head to say yes and he led me into the kitchen … and he gave me three miniature bottles of spirits and said: “Do you want the rest?” When I first walked into the house, the door to the living room … was closed. … Ian went into the living room and I waited in the kitchen. I waited about a minute or two then suddenly I heard a hell of a scream; it sounded like a woman, really high-pitched. Then the screams carried on, one after another really loud. Then I heard Myra shout, “Dave, help him,” very loud. When I ran in I just stood inside the living room and I saw a young lad. He was lying with his head and shoulders on the couch and his legs were on the floor. He was facing upwards. Ian was standing over him, facing him, with his legs on either side of the young lad’s legs. The lad was still screaming … Ian had a hatchet in his hand … he was holding it above his head and he hit the lad on the left side of his head with the hatchet. I heard the blow, it was a terrible hard blow, it sounded horrible.
When the moors trial ended we did feel a
lack of catharsis: something violent should have happened to put an end to violence. Throughout, we were missing the shadow of the rope. The end was, in fact, unaesthetic.
After the arrest, the couple said nothing. The judge marked Brady as ‘hopelessly evil’. He, somehow, accepted his sentence and withdraw into social isolation. He wanted to starve himself to death and protested when the authorities force fed him. Still, he considered himself to be a comparatively ‘petty criminal’ alongside ‘global serial killers and thieves like Blair or Bush’.
Indeed, the pivotal evidence in her conviction
did not just revolve around David Smith‘s eye
-witness testimony concerning the death of Edward Evans and it was the discovery of a suitcase in a locker at Manchester train station that would seemingly categorically confirm
Hindley‘s complicity in the crimes:―
Among the contents of the brown suitcase were five photographs of a child in the nude. [Superintendent Robert Alexander] also found two recording tapes. On two tracks, when played, he found voices of a man, woman, and a child. The recordings on the tracks were identical. At the end of each tape was a recording of music.
His lover is often described as pure evil, a predator of children, a sex offender. ‘The archetype of a stranger danger’, and apparently the grand master of all the uncertainty and fear that this provoked, she became, as she herself recognized, ―the symbol of the nation‘s revulsion at all those who prey on innocent children (The Guardian).
Yet Myra Hindley, who died in prison in 2002, had always maintained that Brady — who died in a mental health hospital on Monday — manipulated her to murder their five child victim. Ian on the other hand sustained,
I was never conscious of having to exert myself to coerce her into accepting my belief in relativist morality. Bit by bit we were moving towards an almost telepathic relationship. She was as ruthless as I was.
Hindley established herself as an icon of evil. She was a deviant and evil personified. An example that ‘she’ can be brutal too. A cruel woman that can do the unimaginable leaving behind her role of nurturing sex. Even the trial judge suggested, ‘Tough I believe that Brady is wicked upon belief without hope of redemption, I cannot feel the same is necessarily true of Hindley once she is removed from his influence.’
Contrary to Brady who drove to madness as he approached the end, Myra remained persistent in seeking parole until her death and even plotted to escape with a prison warder.
She might be sorry, sorry for wrecking her life.